
About Charlotte Perriand
Charlotte Perriand was born in Paris in October 1903. She is, as of today, one of the most influential figures in modern interior architecture and design. Her visionary approach revolutionized how we inhabit space, proposing more convivial, functional, and relaxed interiors. It was the start of a new era of modern living.
Charlotte Perriand’s Early Education and Rising Talent
Perriand studied interior design on a scholarship at the Union Centrale des Arts Décoratifs. Her education focused on furniture drawing, composition, and art history—subjects that would profoundly influence her future work.
At just 22, she participated in the 1925 International Exhibition of Modern Decorative and Industrial Arts, showcasing two designs in the then-popular Art Deco style. A year later, she exhibited at the Salon d’Automne and the Salon des Artistes Décorateurs, officially launching her professional career.
Breaking Away from Tradition
Quickly distancing herself from traditional materials and decorative styles—like floral motifs, wood, and ornate fabrics—Perriand began experimenting with industrial materials such as metal, aluminum, and chrome. Fascinated by the machine age, she embraced the aesthetics of technology, drawing inspiration from airplanes and automobiles.
One of her iconic pieces is a chrome-plated copper bead necklace—a bold design that resembled a ball bearing. This fusion of fashion and function encapsulated her modernist ethos.
Her apartment on Place Saint-Sulpice became her design lab. Among its standout pieces were the now-iconic red leather swivel armchair with a tubular steel frame and an extendable dining table that could seat up to 11 guests—both highly innovative at the time.
Charlotte Perriand’s Transformative Collaboration with Le Corbusier
In 1927, Le Corbusier, impressed by her work at the Salon d’Automne, invited Perriand to join his studio. Over a decade-long collaboration, she contributed to some of modern architecture’s most renowned projects, such as Villa Savoye, Cité de Refuge for the Salvation Army, and The Swiss Pavilion at the Cité Universitaire in Paris.
Her role was essential in humanizing Le Corbusier’s often rigid architectural vision. Perriand brought warmth, practicality, and a deep sensitivity to his interior space design.
Japan, Vietnam, and a New Design Philosophy
In 1940, alongside architect Junzō Sakakura, Perriand traveled to Tokyo to present a design exhibition promoting Japanese craftsmanship and materials. She reimagined classic pieces—like the Chaise Longue B306—using bamboo, oak, and beech, merging modernist principles with local tradition.
Declared “an undesirable alien” when Japan entered World War II, she fled to Vietnam, where she remained until the end of the war. During her stay, she met and married Jacques Martin, with whom she had a daughter, Pernette.
Her time in Asia strongly influenced her artistic vision. The beauty of Asian craftsmanship and the culture of simplicity became a permanent part of her design language.
Social Design and Accessible Architecture
Throughout her career, Perriand championed design as a tool for social progress. She firmly believed that architecture and design should be accessible to most people. One of her most notable contributions was the development of low-cost prefabricated mountain shelters, making holidays in nature available to all.
Her designs often reflected the concept of “minimal space”—projects that were functional, economic, and harmoniously integrated with their surroundings. Long before it became a trend, she envisioned green roofs and buildings that blended seamlessly into the landscape, highlighting her ecological foresight.
Mountain Architecture and Later Work
Between 1946 and 1948, she designed the interiors of the first facilities at the Méribel-les-Allues ski resort in Savoie. Despite financial challenges and delays, the project culminated in a personal triumph: she was compensated with a plot of land on which she built her own chalet—an exemplar of space optimization and alpine refinement.
From the late 1960s through the 1980s, she continued to work on interior designs for several ski resort hotels, further expanding her legacy in recreational architecture.
Recognition and Legacy
Charlotte Perriand’s contribution to design earned her numerous accolades like the Chevalier des Arts et des Lettres (1981), the Légion d’Honneur (1983), and the First major retrospective at the Musée des Arts Décoratifs in Paris (1985).
In 1998, she published her autobiography in France—translated into Italian in 2006—offering a first-person account of her groundbreaking journey. Sadly, the book is now out of print.
Charlotte Perriand passed away in Paris on October 27, 1999, but her pioneering spirit and progressive vision continue to inspire designers, architects, and creatives worldwide.